Many of you know and a bunch of you don’t know that Photography and Filmmaking are actually all about light when it comes to the image. Light is the key to making an image look great. Not enough light and the image is noisy and the colors will look strange, the sharpness of the photograph will be terrible making the image look grainy. In film/video it’s even more of a problem. The sensors our camera use today is light years beyond what was available just ten years ago but even still, they aren’t even close to the old celluloid film and much less, the human eye with its big grey central computer with the far superior AI built into every model.
Read MoreFilming a Zero Budget Movie in the year of the RAT
My God, where do we start? First, this is the year of the RAT, doesn't that make you feel better? No? I suppose it wouldn't. We have Civil unrest, Government intervention in society, and a Virus that is just as mysteriously as it is potentially fatal. It wouldn't be all that bad if it weren't for the fact that we aren't even halfway done. To make things even more difficult for someone like me, filming has all but completely stopped. Not just the Hollywood big budgets, even the local news has their reporters doing their segments from home.
I had planned on filming a neat little film this year in the spring when it wasn't too hot. Those plans are out the window as it is ninety-two degrees today. I think the humidity is almost 100 percent today, also—awful filming weather. Everything tends to overheat on a day like today, from the actors to the cameras, they just don't like it.
Being in Arkansas, no one is forcing us to stop what we are doing because of the "outbreak" but, since we are good folks down here in the South, we do as we are asked. Well, most of us do anyway. Not because we are slaves to the government but because we are friendly. We generally respect our neighbors in my part of Arkansas. Yeah, we do. Some of my friends that live in NWA might not see it that way, but I do. I have lived in many places in my life; for the most part, if you want to be left alone to do your own thing, NWA allows you that opportunity.
The downside of that is everyone is used to doing whatever they want without consequences from the community. Leaving us a little more narcissistic in our actions. Like someone that shows up for one day of filming and then never again because they are "busy." That's just not how filming works. You have to see the project through to the end, or you beach everyone involved in the project, and it is ruined. It happens when trying to have a party or putting together a picnic; the self-absorbed life becomes what is more comfortable and known. I get it. Even I have succumbed to that myself.
Since it is difficult in the best situations to get a low to no budget film made in the best of times, what will it take now!?
One thing that I wish would happen is that the film community in NWA pull together and get something done as a community. To this point, NWA has suffered from the hands of elitism amongst its directors and filmmakers. At least it seems that way to me. For what reasons are we all separated? Why do some believe that others are out to steal their work? Why do some think they can't work with someone because of points of view? Why do some believe that a lack of a "real" camera precludes someone from being any good? Or worse, someone doesn't share a specific political point of view, so they can't be worked with on a Film.
THAT'S ALL NONSENSE!
We are all filmmakers with stories to tell. I make films for the sake of the film, not the purpose of my point of view or politics. I am a good filmmaker, and I am proud of my accomplishments. Still, there isn't a planet in the solar system where I would refuse to work for someone because of some petty difference. Again, it's about the film.
With that being what it is: I am still looking to make a film this year, with or without help from anyone.
Why am I still a Solo shooter ten years in?
I wasn’t schooled in the way of shooting or writing things those days. I just did it by the seat of my pants. My actors would sometimes ask me “what am I doing this for?” I would answer with “just trust me, it will work”. It did work for the most part. I only have one film I shot that no one has seen.
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Movie Review: Bad Boys For Life
When Bad Boys premiered, the Miami lifestyle still had some “Miami Vice” reverberations and people were ready to see that vibe portrayed again. With audiences flocking to the other hits of the year like “12 Monkeys”, “Nixon” and the still-relevant “Seven”, we were all in the mood for a light-hearted action flick reminiscent of “Lethal Weapon.” Transferring the theme song from the hit TV reality show “COPS” didn’t hurt either. This movie didn’t let the theater-going audiences down as it delivered a healthy dose of camp, action, jokes, and star-power. I enjoyed the movie so much at the time that I bought it (there was no streaming then) and the soundtrack too. Although I found it “meth-lab” trailer park to play the theme song so I stuck to the other tracks when there was a possibility of someone eavesdropping on my musical choices. Bad Boys II might be considered a better film, and it made just as many people happy as the first, myself included
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1917, Every tool a Plot driven Screenwriter can muster.
The movie is shot exceptionally well. I enjoyed ninety-five percent of the shots and set up. I especially love the one-shot, one-take way they did most of the film. It is very compelling and demands respect as it’s the most technically challenging thing to film. I thought they had to be using a boom or crane on a vehicle to get the shots of the two men going down into craters that must have been twelve to fifteen feet deep without having any camera shake, and they did exactly that. Pretty cool if you ask me.
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Making short films always seems to turn into something bigger.
I love making films. If you didn’t know that already, well, now you do. Sometimes we have a fleshed-out script, and sometimes we don’t. The real fun of making films sometimes comes from not knowing what I am going to film and figuring it out as we go. I know that sounds dumb, but it always seems to work out.
This last weekend, we did exactly that. We had outlined a few scenes and practiced some stunts with the actors. It worked out alright; it was one of those times when working on a wing and a prayer just felt right.
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On The Set of
The “Tech Files” by Joseph Hitchcock
On the set; A film that took six years to make.
As you know, I love filmmaking. The one thing that always brings a smile to my face is when a project is finished, and the world gets to see.
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Screen tests and the a7III vs. the a77 in studio
It was going to be the first time I got to use my Sony a7III in a real studio environment. And It didn’t let me down. My a77, the camera that I have been using for the past eight years did though. I honestly didn’t have any idea just how behind the times it was.
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Read MoreReview of Thor Ragnarok
I do have to applaud the movie for trying to stay true to its roots in the 1970's, 1980's motif that the first one had with its cheesy subtitles and crummy music but even that left me rolling my eyes because of the recent phenomena of the Netflix Stranger Things. It actually cheapened it for me because I hate pandering, especially in film where the movie has to hold its own for the sake of itself. Even though, I must admit that no movie seems to do that these days. A practice that I believe should still be first and foremost in the minds of the creators of any film yet has seemed to fall out of favor.
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